a quick and dirty guide to 'getting the bass right'
My biggest piece of advice is to use what you have, trust your ears. To get really great at mixing takes time and practice. Focus on geting the best sound you can from the tools and knowledge you've got. Trust that as you do more and more, your skillset will improve, and so will your mixes
let's say you're looking for a deep-warm tone. It sounds great on a good sound-system, but it doesn't show up on small speakers.
what do you do?
What do you do is not a question that can be directly answered yet; that is, unless you already know what your options are, and in that case, you probably already have your problem solved.
what are you trying to achieve?
let's start here instead. Okay, so lets say your genre is indie rock. It's a song that's driven by the guitars and the vocals.
great, now which instruments live in the low-end. commonly this will be drums and bass (kick, toms, Bassline, the bottom of the guitar, and the deepest part of the vocal. The bass doesn't cut through? ask yourself which instrument and why?
what is happening in the low-end?
The kick drum sounds good, the guitar/vocal sounds fine. the bassline doesn't cut. It doesn't always need to be front and center, It can act as the glue to hold the song together. When you move away from your good sound-system to your laptop/earbuds/car stereo/mobile. it seems to disappear completely.
how can you approach this
A few areas to consider.
Imagine your low-end in 3 bands. you've got sub-frequencies, Low-frequencies, and precieved low-frequencies (low-mids and above)
Check for trouble areas in the context of these three 'bands'
EQ is your most powerful tool! try to find the frequency range you're looking for using your solo function to listen for which tracks might be competing for 'space',
for example, the bass if it's most present at 80Hz, but the guitar is 'masking' the bass up between 160- 300Hz. You might also have low-frequency energy competing in tracks where it has no business being. here, a hi-pass filter would be your friend.
For example, The bass is warm and present between 60-160hz, but adds nothing above that. because it's being covered up by another instrument,
A small set of laptop/phone speakers may lack clarity at frequencies below (approximately) 200-300Hz. They have the most presence between 1-5kHz. if you can let the bass through within these ranges (again these numbers are guestimates, every mix is different) you can achieve a more consistant tone across sound-systems.
Welcome To the Blog. Today we're talking about songwriting and composition. I've been capturing ideas for an irish Jig.
banjo jigs and reels with Ol'brother Paul
We started off our run by approaching the plan with a song idea.
Three parts, we'll call them parts A B and C.
The main lick. the kind of lick that was meant for a Tenor banjo. We didn't have much else to go-on Except a sloppy old recording found in the Archives. So knowing only the root of the song was a big-ol' D chord, we set off to lay down some Banjo tracks.
An ascending lick with a change of tone-centre. It took me a minute to figure out what was happening, but if I could add an A-chord over top of this new riff, It could bring a much-needed change of energy to the song. I'll figure out the exact chord-progression during my practice session later. For now, It's a good idea, lets capture it...
This part came later. Paul got back to me with a new idea for an outro for the song. This one feels more like a slow-down after a late night celebration. He wrote the part for the mandolin... Sounds great! lets do it.
Same idea, new theme different instrument, but hear how it sounds on that banjo too. lay these down on separate tracks, to see if we can combine them in cool ways later.
challenge for Indie Rockers and songwriters
Good day, If you've found this page, welcome. My name is Cody Gene, welcome to the blog.
Today is an exciting day because it marks the launch of a brand new contest.
So what is it? who is it for? âwhat do i win? More details will be coming soon.
My hope is to start to build a community around the contest, a place where songwriters can meet like-minded creative folks (like you) and work together to become better as both artists and as humans, as creatives, entertainers, and entrepreneurs.
Sounds good, How can I Help?
At this moment, the contest is a massive undertaking, meaning that we're starting off right from square one. In order to make this contest Larger-than-life, we need to let the indie-world know that "HEY Cody is holding a Contest at www.genemediacreativestudio.com/contest."
Tag 3 songwriters on instagram who NEED TO SEE IT. Guarantee your song is featured in the first 100...
tag 3 musicians who you think would like to participate, over on my instagram page, and I'll guarantee your song is featured in the first 100 contestants.
Act fast, once we reach 100 contestants, this offer will expire.
Click below to visit Instagram