​A song can be four chords. That's not wrong, but if your chord progression is simple, then consider the Principles of contrast to make your song POP.

Where do you put contrast in your song? What are your song's elements?

• Genre
• Hooks
• Metre and rhythm
• Lyrical content
• Instrumentation
• song structure

​Have you thought about how your song is laid out while the concept is fresh? I recommend as good practice to outline a few basic song-structures for the style of music you write. it could look like one of these examples:

or

• A section
  • Intro
  • Buildup
  • Verse
  • Chorus
• B Section
  • Instrumental
  • Verse
  • Hook
• A section
  • Chorus
  • Verse
  • Buildup
• B section
  • Hook
• C section
  • Outro

Helps with efficiency to simply put things into a place where you dont have to worry about structure. Why use this approach? because it takes the struggle out of putting the songs together because that part is already done. Just build the pieces to fit and stick them in. Songwriting En-masse, just remember your Contrast considerations. 

So now that we're fitting the pieces in, I guess you'll need pieces first. This is where creativity and imagination come into play. During your daily (and i hope it's daily) practice, noodle around until you come up with something. Some folks like to play from scales or books for inspiration. others simply jam. The point is to come up with something that sounds good to you. Remember it's music. There isn't a one-size-fits-all approach to this stuff.

​Abrupt transitions are not always bad. To me it depends on the characteristics of the genre, some being friendlier to rule-breaking than others.

Short answer yes, but why? As a musician who aims to become more professional, it's important to make yourself visible. Now, we all have our own launch strategies, y'know, those things we feel comfortable doing to get our music in front of our new potential fans. If you're using the internet to reach these ends, how easy is it for your audience to discover you and your work? 

This comes down to the workload you can handle, again if social media is your game, How many sites are you using? do you need to be on every single one? I have the best results using facebook and Instagram. Maybe I'm wierd that way, but even though I sometimes splash things out to Twitter, tik-tok, or youtube. I simply don't get the same results. 

I'd like to take a second to explain the purpose behind the content. Content is used for discovery, but theres more to it than just that. It's also used to create a personal connection, whether you've got an avante-garde orchestral thing with a band, or you're an indie-solo-singer/songwriter. The end goal is the same. Your online presence is akin your exposure, IE, It's the same as playing that open mic and burning gas to get there. The difference is that It costs next to nothing. It's another way you can get discovered by the people who are going to care about your craft and appreciate the music. So how can you connect with your new potential fans? If you are connecting with them and they want to learn more, then how can you make it easy for them to learn all about you and the thing you're doing. 

This is where having a consolidated online presence comes in...

Case Study: Joey has an instagram account. He posts great content, and is starting to grow a little bit of a following by posting great content every day. The link in his bio sends people to a single landing page with the links to his Youtube channel, His Bandcamp page, and each service where his single is available for streaming. His new social-media friends look at his link, and they can easily learn more about him by clicking through to their favorite place to consume the music. sounds simple right?

Compare that to Billy: Billy has an instagram account with a similar size following, but it points to his soundcloud page. He's got a youtube channel with no link to where people can learn more. His new fans want to learn more so they click the link to the soundcloud profile. There's nothing other than his song. Are people really going to take the time to listen to the song? Maybe they will listen to about 20 seconds, then move on, but most people will visit this link one time, and probably won't even listen to the song. He didn't tell his people what they're getting, and he didn't make it easy to learn all about him and his music.

​Have you ever googled your band/artist name to see what pops up? this is called a Google audit. If you're making art, and you have your own website, and you want to use it to reach new fans, It can be helpful to dial things in so that you show up in the right places (ie. the front page of the search engines.)

​Let's go back to the example of Billy (above) Billy also has a website. His potential new fans like the music on soundcloud  (guess he's doing something right) but they can't find a link to where they can get more..., so they punch his name into google. Nothing to be found, so they try again on facebook, a personal profile that's private. Did Billy earn a new fan from this? Nope!

​leave a lasting impression - get return viewers - add value to your audience - bring them back for more - Gain a Die-hard Cult Following.

The easier it is for your audience to discover you, the lower the friction of building that connection, the more audience retention you'll have, and the easier your journey becomes.

Here are some resources for ways you can consolidate your online presence. Simply gather all the links to where you can be found online, and put them somewhere together, so that you can be found. So that you can make it easier for your new audience to discover everything about you. Remember, If this process is difficult then nobody's going to bother. If it's easy, It causes less friction and more attention retention, so you can connect with more people who will LOVE YOUR MUSIC, and you can keep them coming back for more.

I've said it before and I'll say it again. Music is an artform, Audio is a science. The two joined together create the magic that is a great record. Certain things are subjective, others are concrete. There are principles behind audio production that can help you to get a better sound on your recording, but the application of these principles will almost never be a 'one size fits all' approach.

So your song is structured out. You've got your go-to tone. that's great. You've imagined your ideal sound and that's probably the hardest part. Now we get into the tricky bit... Laying it down in such a way that the end product matches your initial vision.

I remember my first dozens of songs. I would set out with the intention to make a Punk song or a Dub song, but somehow it didn't turn out the way I planned it to. Why? was it lack of experience? Was it lack of the correct tools or my inability to use them? I may never know. Sometimes the unexpected can be a real treat, sometimes it's just a disappointment. 

In our modern digital age, we've got a nearly unlimited variety of tools to choose from. For example, what kind of microphone is best for a male vocal? answer, It depends on the singer, his pitch, his Timbre (the tone of voice,) the positioning, and the room. 

how do I get a thick-heavy tone from my guitar? it depends on a lot of things, what kind of pickups are in your guitar? what amplifier are you using? settings on a pedal-board? are you using a DI (direct signal?) are you prepared to re-amp your guitar later? do you have the ability to add thickening in the mix?

The same applies to EQ settings. A lot of time, there will be a range that you can approximate where an instrument falls, assuming you're mixing a rock band. Is it the same for classical music? jazz? the answer is it depends. 

No man is an island. Even if you think you are DIY hardcore, finding like-minded folks who can help you goes a long way.

A support network

Maybe it's just me but personally, I find it a lot easier to get things finished when they're for someone else. Someone needs help with something, and I've offered to help them, it's a lot easier to get motivated to get the job done than if it was a personal project where I have nobody to please other than myself.

Starting with the easy thing or the hard thing? that's up to you to decide. I'd recommend knocking back the easiest tasks first, the ones that would take the least time to accomplish. The more difficult tasks might require some incubation time, new skillsets, or a network of friends to help you out.

avoiding  procrastination

Something is better than nothing
It doesn't have to be perfect
You'll get better with time

See a door, open a door, you don't have to step through it right away. Check to see what's on the other side. If you see potential there, then start moving.

the decision to take action - It starts with a choice. Remember the words we use in our own minds carry weight.

The language we use in our internal dialoge affects our reality. No seriously. No more of this Someday i hope to ____. A better line of conversation is I am ____. These are called affirmations, and next time you catch yourself using language like hope, want, trying to, etc. Catch yourself and think about it for a moment. Are you trying to do something? or are you Doing it?  

​going through the motions - Consistency of effort

once you understand what you want, the next step is to follow through. How many artists I know don't do this. I was guilty of it myself. It's called Failure to launch syndrome. I get it, it's easier to just push your ambition aside and play some video games. Next thing you know it's 10 years later, and have to bust-ass to make up for lost time. If you're not doing something every day, start with 1 thing. If you're already doing something every-day, then start doing 3 things every day. It'll take dedication and preparation, but you can do it. Start Now.

If you have creative ideas but never actually pursue them, Can you ease the burden by capturing the ideas for later? This is the way I approach blogging and songwriting. When I have an idea, I'll add it to the list (i keep a notebook nearby so i can quickly captue the idea.) Productivity expert David Allen says "the head is for having ideas, not for holding them, so if the muse strikes you, but you don't have time to do it right now, save the idea for later by capturing it.

through a different lens (camera lens example (wide angle vs reg))
​through the lens of 6 thinking hats
through the lens of an outside perspective (ask someone)

With your list of ideas, you can sit down when it's your creative time, draw from the list, and begin to flesh them out. I do this with Blogging, social media, and songwriting. It works equally as well in all these areas. My sunday for example, is blog day. I make a point that no "real work" is done on sundays. They're for me to rest and re-charge. So I kick back with a cup of coffee, open my inbox, pick something and start writing. I'll get two or three articles done in short order because the ideas have been percolating for a while already, and before I know it, I'm already ahead of the game. No more stress thinking "oh shit, I still have to write my blog for the week, but i didn't have enough time."

All those mundane repeating tasks...

Some projects are too big to do all at once, some are slow burners that are going to take time to build momentum. So how do you handle projects like these. Don't panic. I have to constantly remind myself that It's okay, even if it feels like things are moving slowly and as long as I haven't lost hope or given up, I'm putting in the effert that further the project so as long as I continue to put the effort, it'll happen. There's no point rushing and getting stressed about it.

Do you solo out tracks and mix them by themselves? What does it mean to keep things in context?

The most important tools are your ears and your mind. Use them, trust them. If it sounds good it sounds good. but remember the context. From your sound in the space it's in, to the interaction of frequencies in your mix.

Reference mixes can help you understand how your track is sounding compared to other songs. If you're listening to a playlist, and one song is drastically quieter than the one before it, thats no good. Reference mixes can help you avoid that.

using ducking. if you hear a displeasing sound in your guitar track, a useful trick (if it is supported by your hardware) is called ducking (or listening in place.) This is basically just turning down everything, and keeping the track that has your attention at the forefront. imagine it like a lens through which you can still seee what's happening in the rest of the song as you're doing surgery on that guitar track.

​

If it feels right, it probably is. I've seen many an indie go way overboard with mixing each individual track to perfection, only to to turn off solo and have to do it again. They end up to their necks in audio problems they barely understand.

Solo out that track and it sounds fine alone but in the mix it sounds wrong. What is actually happening and why? Which interaction of instruments/tracks is causing that? Use solo to find that. Remember that sounds interact with other sounds. Just because one track is a vocal and another is a guitar doesn't mean frequencies are not competing for space. The sound is combined and played back through your sound system, and if you're not mixing in headphones, they're interacting with your room too.

So how to conclude this article, and mix it right. If you're having to solo out a track, tweak it to get it sounding perfect, and then start over again to get it sounding good in context, You're doing it twice. You don't have to. Don't worry, these skills are like learning a new instrument. they come with time and practice. Luckily we live in an age where people are sharing their years of skills and experience for free on the internet. Need some tips?  Let me google that for you...

The ability to dentify the challenges is an important skill for the career musician. In order to this, you'll need to use your imagination. First, I'd like to invite you to accept everything as possible. anything otherwise would just be making excuses.

​Imagine a single path before you. The road ahead branches and each one of those branches represents your decisions. Imagine at the end of these paths, your goals. It's not about wandering aimlessly down a path that's already laid out for you. Nope, we're making our own path, our own way. So what's it gonna take to blaze a trail, a road, a highway. what does the landscape look like? are we going to need bridges and tunnels?

So in anticipation of challenges as a part of goal-setting. I'd recommend putting pen to paper. list everything you've got, from things you're already doing, to ideas that might seem like a pipe dream, unreachable, impossible.

As you begin to understand more about what your options are, you can start to understand what's attainable, and what it might take to make it happen. This Link, gives an animated breakdown that goes into more detail. 

​Basically, this part is going back through what you thought about during this mental excersise. say x ammount of time later and asking questions like:

Hey, It's Cody Gene here from Gene Media. Welcome to 2020! We're opening up a whole bag of Music mindsets, principles, and Methodologies to help you as an artist, creative, and entrepreneur. For the new year, we'll (I'll) be bringing you more creative-focused content in these three categories...

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