Starting with the easy thing or the hard thing? that's up to you to decide. I'd recommend knocking back the easiest tasks first, the ones that would take the least time to accomplish. The more difficult tasks might require some incubation time, new skillsets, or a network of friends to help you out.

avoiding  procrastination

Something is better than nothing
It doesn't have to be perfect
You'll get better with time

See a door, open a door, you don't have to step through it right away. Check to see what's on the other side. If you see potential there, then start moving.

the decision to take action - It starts with a choice. Remember the words we use in our own minds carry weight.

The language we use in our internal dialoge affects our reality. No seriously. No more of this Someday i hope to ____. A better line of conversation is I am ____. These are called affirmations, and next time you catch yourself using language like hope, want, trying to, etc. Catch yourself and think about it for a moment. Are you trying to do something? or are you Doing it?  

​going through the motions - Consistency of effort

once you understand what you want, the next step is to follow through. How many artists I know don't do this. I was guilty of it myself. It's called Failure to launch syndrome. I get it, it's easier to just push your ambition aside and play some video games. Next thing you know it's 10 years later, and have to bust-ass to make up for lost time. If you're not doing something every day, start with 1 thing. If you're already doing something every-day, then start doing 3 things every day. It'll take dedication and preparation, but you can do it. Start Now.

Do you solo out tracks and mix them by themselves? What does it mean to keep things in context?

The most important tools are your ears and your mind. Use them, trust them. If it sounds good it sounds good. but remember the context. From your sound in the space it's in, to the interaction of frequencies in your mix.

Reference mixes can help you understand how your track is sounding compared to other songs. If you're listening to a playlist, and one song is drastically quieter than the one before it, thats no good. Reference mixes can help you avoid that.

using ducking. if you hear a displeasing sound in your guitar track, a useful trick (if it is supported by your hardware) is called ducking (or listening in place.) This is basically just turning down everything, and keeping the track that has your attention at the forefront. imagine it like a lens through which you can still seee what's happening in the rest of the song as you're doing surgery on that guitar track.

​

If it feels right, it probably is. I've seen many an indie go way overboard with mixing each individual track to perfection, only to to turn off solo and have to do it again. They end up to their necks in audio problems they barely understand.

Solo out that track and it sounds fine alone but in the mix it sounds wrong. What is actually happening and why? Which interaction of instruments/tracks is causing that? Use solo to find that. Remember that sounds interact with other sounds. Just because one track is a vocal and another is a guitar doesn't mean frequencies are not competing for space. The sound is combined and played back through your sound system, and if you're not mixing in headphones, they're interacting with your room too.

So how to conclude this article, and mix it right. If you're having to solo out a track, tweak it to get it sounding perfect, and then start over again to get it sounding good in context, You're doing it twice. You don't have to. Don't worry, these skills are like learning a new instrument. they come with time and practice. Luckily we live in an age where people are sharing their years of skills and experience for free on the internet. Need some tips?  Let me google that for you...

​I guess the first question would be how do you want to capture your ideas? 

If you have a decent laptop or computer you can use a DAW with an audio interface. *Cubase/nuendo, protools, logic, studio one, reaper, are a few examples. For basic tracking they all do pretty much the same thing. The workflow and the price-point is the main consideration while you're just starting out.

For Audio interfaces, there are quite a few out there. It depends on your budget. like, the Behringer U-phoria series is probably the cheapest, and the Apollo ones are on the top-end. I'd recommend going onto amazon to browse and read reviews if that's the way you want to go. Just remember, you usually get what you pay for, so if you can afford to spend the $$$, then get the best you can.

Or you could use a built-in recorder that captures to SD card (like someone mentioned the zoom R16) I had one of those for years, they're mobile and useful, but the preamps aren't the greatest. but it gets the job done.

other considerations, will be how many channels you need. will you want to use mics (if so do you have a nice quiet room?), or a direct-in signal? I'm guessing you could probably get by with a 2 channel (for most purposes) or an 8 channel if you need to track drums, or want to go all out with lots of mics.

Gain staging - once you're setting up to record, set your input gain to the highest you can get without clipping. I'd recommend doing a google search for 'signal to noise ratios audio' or 'gain staging audio' to figure that part out. basically, you want the 'hottest signal you can get without clipping or introducing too much noise' 

As far as sending your tracks off for mixing. Your engineer will probably ask you to consolidate your tracks. which basically means you export your tracks individually, each beginning at 0:00. This allows for the engineer to easily align them in the new mix session. ​

Welcome To the Blog. Today we're talking about songwriting and composition. I've been capturing ideas for an irish Jig.

We started off our run by approaching the plan with a song idea.
​Three parts, we'll call them parts A B and C. 

The main lick. the kind of lick that was meant for a Tenor banjo. We didn't have much else to go-on Except a sloppy old recording found in the Archives. So knowing only the root of the song was a  big-ol' D chord, we set off to lay down some Banjo tracks.

An ascending lick with a change of tone-centre. It took me a minute to figure out what was happening, but if I could add an A-chord over top of this new riff, It could bring a much-needed change of energy to the song. I'll figure out the exact chord-progression during my practice session later. For now, It's a good idea, lets capture it...

This part came later. Paul got back to me with a new idea for an outro for the song. This one feels more like a slow-down after a late night celebration. He wrote the part for the mandolin... Sounds great! lets do it.

Same idea, new theme different instrument, but hear how it sounds on that banjo too. lay these down on separate tracks, to see if we can combine them in cool ways later. 

So Last week, I was working with Ol'Brother Paul on the 'Paulcast' 2nd season. We're switching up the format, which will follow the progression of a song through the recording process, while talking about tips/strategies for how to record a song with less frustration.

We've picked an old idea Paul had for an Irish Jig back in 2016-2017 using tenor banjo (or in this case a banjo with the drone string removed.)

Until this point we've been kind of using the term 'Jig' and 'Reel' interchangably, but this got me thinking what's the difference? They are two separate words, so they probably mean two different things. okay google what's the difference between a jig and a reel?

So 'reel' short answer... The main difference is in the timing. Jigs being in a 6/8 time and a Reel being in a 4/4 time.  So to answer my own question, the song we are going to produce is actually an Irish Reel. 

I sat down the other day with Singer/sowngwriter Doug Maxwell for some video. One of his Originals by the way, and  an excellent story too. 

Here's how he describes it...

"This song commemorates a 1962 road trip my mother, sister and I took. I was just turning 11 at the time and living in Florida. This point in time was the end of innocence, both in my life and in world affairs, as I have come to understand them. The vast glacier we hiked to in Glacier Natl. Park no longer exists, only one example of vast change. Many thanks to Gene Media for invaluable assistance."